Undertone

See Why Colors Work. Not Just Which Ones.

Point your phone at anything and get the color structure underneath: palette with proportions, color harmony, temperature map, and value structure. Built for painters, photographers, designers, and anyone who works with color seriously.

For artists who want to understand color, not just pick it.

You already know which colors work. You just cannot explain why. Every painter, photographer, and designer has the same experience. You look at a reference, a room, a photograph, a painting you admire, and the color just works. You can feel it. But you cannot name the harmony. You cannot see where the warm ends and the cool begins. You cannot point at the value structure that holds the whole thing together.

Undertone makes the invisible visible. One tap, and you see the four things that determine whether color works or fails: what the colors are and how much of each, how they relate to each other, where the warm and cool live, and how the lights and darks are structured. Not poetic descriptions. Not hex codes in a vacuum. The actual architecture of color in any image you care about.

Four Layers of Color Analysis

Layer 1

Palette with Proportions

Most palette tools hand you five flat swatches in equal rectangles and call it done. That is not a palette. A palette where warm ochre occupies 60% of the image and a cool blue accent occupies 5% is a fundamentally different palette from a 50/50 split, even if the exact same two colors are present. Undertone shows you the dominant colors in order of weight, sized by how much of the image they actually occupy. Each swatch labeled with hex values and painter-friendly names. Cadmium Yellow. Payne's Gray. Not "Autumn Sunset Dream."

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Layer 2

Color Harmony

Colors that work together follow geometric relationships on the color wheel. Complementary. Analogous. Triadic. Split-complementary. Monochromatic. Or honestly, none -- not every image has a clean harmony, and Undertone will not pretend. Your colors are plotted on a wheel so you can see the geometry. The moment you see that your favorite photograph is a split-complementary harmony anchored in blue-violet, you own a piece of vocabulary that changes how you work. That vocabulary is power.

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Layer 3

Temperature Map

This is the feature that makes the invisible visible. A warm-cool overlay on your image showing exactly where the warm lives and where the cool lives. Why do your shadows look muddy? Warm paint leaking into your cools. Why does golden hour feel magical? Warm light forcing cool shadows by contrast. Why does your game level feel flat? Uniform temperature from edge to edge. Toggle the temperature map on, and the thing you could feel but could not diagnose becomes obvious.

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Layer 4

Value Structure

Value is how light or dark a color is, and it does more work than color itself. A painting with strong values and wrong color still reads from across the room. A painting with perfect color and weak values is mud. Every art student learns to squint at their subject to blur the details and see only the pattern of lights and darks. Undertone does the squint for you: your image stripped to grayscale, divided into clear zones -- light, mid-tone, dark. Not a continuous gradient. Zones, because zones are what painters think in.

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How It Works

  1. Point your camera or import any image.
  2. Full analysis in under five seconds.
  3. Every analysis saved. Your phone becomes a color reference library.

Who This Is For

Painters

You mix by trial and error. You waste paint. Your shadows look muddy and you do not know why. The answer is almost always temperature -- warm paint where cool should be, or the reverse. Point Undertone at your reference before you start mixing and you will see the warm-cool structure clearly. Point it at the painting you admire and understand how Sargent used a 5% cool accent against 60% warm neutrals. The gap between seeing color and understanding color is the gap between two years of frustration and one afternoon of clarity.

Photographers

You edit by feel in Lightroom and sometimes you nail it. Golden hour, a cohesive palette, everything sings. Other times the edit feels off and you do not know why. You cannot repeat the good results because you never understood what made them good. Undertone shows you the harmony in your best work so you can apply it deliberately to every shoot. When a client sends a mood board and says "make it feel like this," you can analyze the reference, extract the exact color relationships, and translate a vague request into concrete editing decisions.

Interior Designers

You have a great eye. Your clients do not trust it. When you propose terracotta instead of safe gray, the conversation stalls because "trust me" is not evidence. Undertone gives you the evidence. Analyze the room, show the client the harmony type, the temperature balance, the value structure. Show them that your palette is not a matter of taste -- it is grounded in how color actually works. The tool does not replace your eye. It gives your eye a language that non-designers understand.

Game Developers

You have folders full of screenshots from Hollow Knight, Celeste, and Ghibli films. You eyedrop colors from references and wonder why your own levels feel flat. The problem is almost never the hues you picked. It is the temperature and value structure you did not pick. A dungeon needs different temperature contrast than a forest. Analyze your reference, analyze your own scene, and the gap between them becomes specific and fixable. Not "the mood is wrong." Instead: "the temperature is uniform and the value range is too narrow."

"I've been painting for two years and I still couldn't explain why my teacher's palettes worked. I pointed Undertone at her reference and it just... showed me. Split-complementary, anchored in blue-violet, with a warm accent at maybe 8% of the image. I'd been staring at that relationship for months."

-- Sofia, oil painting student, Buenos Aires

Built by a painter who got tired of squinting.

Gregorio Undurraga made Undertone because he needed it. After years of mixing paint by trial and error, he learned to code and built the color analysis tool he wished existed. The palette uses painter names because the person who made it calls them that.

Pricing

Five analyses per month, free. Every free analysis shows the full breakdown -- palette, harmony, temperature, values. We do not hold features back to pressure you into paying. You see exactly the same analysis a Pro user sees. If five per month is enough for you, it is enough for us.

Pro unlocks unlimited analyses. Choose how you pay:

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Your Images Stay on Your Phone

Understanding Color

What is color temperature?

Color temperature describes how warm or cool a color is. Warm colors lean toward yellow, orange, and red. Cool colors lean toward blue, green, and violet. But here is the part most explanations leave out: temperature is relative. A yellow-orange is warm next to blue, but cool next to red-orange. In painting, the interplay between warm light and cool shadows (or cool light and warm shadows) is what creates the sense of actual light falling on a form. In photography, temperature sets the emotional tone of the entire frame. Undertone maps temperature across your image so you can see the warm-cool structure that your eye feels but cannot isolate on its own.

What is value structure in art?

Value is how light or dark a color is, stripped of its hue. Red and blue can have the same value. Value structure is the pattern of lights, mid-tones, and darks across an image. Painters learn to squint at their subject to blur the color and see only this pattern -- because a painting with strong value structure reads clearly from across the room, while a painting with weak values falls apart no matter how beautiful the color. Undertone automates the squint. It strips color from your image and divides it into clear value zones so you can see the light-dark architecture that holds everything together.

How do color harmonies work?

Color harmonies are geometric relationships on the color wheel. Complementary colors sit directly opposite each other -- blue and orange, red and green. Analogous colors sit next to each other -- blue, blue-green, green. Triadic colors form an equilateral triangle. Split-complementary takes one color plus the two neighbors of its complement. These are not arbitrary categories. Each creates a specific visual effect: complementary harmonies feel vibrant and high-contrast; analogous harmonies feel cohesive and calm. Understanding which harmony you are looking at is the difference between knowing that colors work and knowing why they work.

What makes Undertone different from other palette extractors?

Three things. First, proportions: Undertone shows you how much of each color is present, not just which colors exist. A 60/5 warm-cool split is a different palette than 50/50. Second, Undertone gives you four layers of analysis, not one. Palette, harmony, temperature, and value structure together tell you things that any single layer cannot. Third, the language. Color names are painter-friendly -- Cadmium Yellow, Burnt Sienna, Payne's Gray -- because this was built by someone who has actually mixed paint. No fantasy names. No algorithms pretending to be poetry.

Is Undertone free?

Five complete analyses per month, free. Nothing held back. Every free analysis shows the full palette, harmony, temperature map, and value structure -- exactly the same analysis a Pro subscriber sees. Pro unlocks unlimited analyses with monthly, yearly, or lifetime options.

Stop Guessing. Start Seeing.

Download Undertone and understand the color in everything you look at.